Showing posts with label National Costume. Show all posts
Showing posts with label National Costume. Show all posts

Saturday, February 15, 2014

Russia's National costume (part 2): The Kokoshnik / Le costume national Russe (partie 2): Le Kokochnik

(La version Française se trouve plus bas.)
 
Welcome to part two of my study of the Russian National costume for women. Today, we will discover the Kokoshnik, the Russian traditional headdress in all its varied forms. Indeed, Kokoshniks vary from region to region and the word is used for the cylindrical headdresses of Veliky Novgorod, the two pointed nimbus kika of Vladimir, the triangular kika of Kostroma, the small pearl hats of Kargopol, etc.

Bienvenue à la seconde partie de mon étude du costume national Russe féminin. Aujourd'hui, découvrons ensemble le Kokochnik, la coiffe traditionnelle sous toutes ses formes variées. En effet, le kokochnik diffère d'une région à l'autre, mais le nom englobe tous les styles de coiffes, qu'il soit cylindrique à Veliky Novgorod, la kika à deux pointes de Vladimir, la kika triangulaire de Kostroma, le petit chapeau à perles de Kargopol, etc.
 

We first see the kokoshnik mentioned in 16th century documents, at a time when the ladies of the western European courts wore such headdresses as the French Hood (note the similarities), but some examples have been found in burial sites dating from the 10th to the 12th century.

La première mention d'un Kokochnik par écrit date du 16e siècle, à une époque où les dames des cours d'Europe occidentale portaient des coiffes comme l'arcelet (notez les similitudes), mais certains exemples ont été retrouvés dans des tombes datant du 10e au 12e siècle.
 

In the early 18th century, Peter the great banished these headdresses from Court when he modernized the country, but thankfully, Catherine the Great reinstated them to their rightful places at the end of the century. Then, in 1834, Tsar Nicholas the 1st issued a decree officially establishing the Kokoshnik as being a part of the court dress for women. During all that time, they never stopped being worn in the country by wealthy peasants for special occasions until the Bolshevik Revolution.

Au début du 18e siècle, Pierre le Grand banni la coiffe traditionnelle de la cour Russe tandis qu’il travaillait à la modernisation de son pays, mais heureusement, Catherine la Grande lui redonna ses lettres de noblesse à la fin du même siècle. Puis, en 1834, le Tsar Nicolas 1er émit un décret officialisant le Kokochnik en tant que parure de cour pour les dames. Pendant tout ce temps, cette coiffe continua d’être porté par les paysannes les plus riche, et la tradition se perpétua jusqu’à la révolution bolchévique.


Just like the sarafan, the kokoshnik was traditionally worn by women of all classes, but unlike it, it was reserved for married women; un-married young women wore a similar headdress with an opened back called a povyazka. In the 19th century, the new fashionable kokoshnik of the court and nobles became open back, just like the povyazka of old, and was worn with a sheer veil.

Tout comme le sarafane, le kokochnik était traditionnellement porté par les femmes de toute classe, mais contrairement à celui-ci, il était réservé aux femmes mariées; les jeunes filles portaient une coiffe similaire, mais ouvert à l’arrière appelé povyazka. Le kokochnik redevenu à la mode au 19e siècle pour les nobles et les dames de la cour était par contre ouvert à l’arrière comme le povyazka d’antan et se portait avec un voile transparent.


Kokoshniks can be decorated with embroidery, goldwork, pearls or appliqué, making them quite elaborate. The forehead section is often covered in a net of pearls. Hair is traditionally worn in one long plait under the kokoshnik.

Les kokochniks peuvent être décorés de broderies colorées ou dorées, de perles ou d’appliqués, en faisant des pièces très élaborées. La section du front est souvent recouverte d’un filet de perles. Les cheveux sont traditionnellement portés en une longue tresse sous le kokochnik.


Nowadays, the kokoshnik is a part of the girls’ and women's national costume and is generally either in a round crest shape, with or without scalloped edge, a half circle or a pointed crest. The kokoshnik is also worn by Snegurochka (Snow Maiden), the assistant and granddaughter or Ded Moroz , the Russian Santa Claus. As well, some Russian fashion designers revisit the traditional headwear from time to time and we see them pop up in fashion magazine

Aujourd’hui, le kokochnik fait partie intégrante du costume traditionnel féminin pour tous les âges et est généralement de forme arrondie, à bord cannelé ou en pointe. Le kokochnik est aussi porté par Snégourotchka (Fille de Neige), l’assistante et petite fille de Ded Moroz, le Père Noël Russe. Il arrive aussi que des designers de mode revisitent la coiffe traditionnelle et elle apparait alors entre les pages d’un magazine de mode.

Just feast your eyes on these many examples.  / Régalez vos yeux de ces nombreux exemples.











Old Russian style / Mode "Vieux Russes"



I am so going to make one (or more) in the years to come. First, I think I will make a sarafan and small kokoshnik to wear at SCA events, but these could be made for steampunk and fantasy. And I've never really cared much about Romantic era gowns, but I would make one to wear with a kokoshnik!

Je veux définitivement m’en faire un (ou plusieurs) dans les années à venir. Tout d’abord, je crois que je me ferai un sarafane et un petit kokochnik pour porter à un évènement de la SCA, mais ces coiffes seraient parfaites pour un costume Steampunk ou de fantaisie. Et moi qui n’ai jamais vraiment aimé les robes d’époque Romantique, je peux m’imaginer en confectionner une si c’est pour l’agencer à un kokochnik!

Thursday, February 6, 2014

Russia's National costume (part 1) The Sarafan / Le costume national Russe (partie 1): Le Sarafane

(La version Française se trouve plus bas.)
 
The Sochi Winter Olympics will begin officially tomorrow, and you know what this means: plenty of posts about figure skating dresses and comments on the costumes seen at the opening and closing ceremonies. Since Russia has a rich and beautiful culture, and since it is home to the best that ballet has to offer, I have high expectations.

While we wait impatiently for the opening festivities, let us look (and drool) at the Russian national costume for women.

Les Olympiques d’Hiver de Sotchi commenceront officiellement demain, et vous savez ce que cela signifie : plein d’articles sur les robes des patineuses artistiques et des commentaires sur les costumes vue aux cérémonies d’ouverture et de fermeture des jeux. Puisque la Russie possède une culture riche et pleine de beauté, et puisque c’est de là que nous vient le meilleur de ce que le ballet a à offrir, mes attentes sont élevées.

Tandis que nous attendons patiemment le début des fêtes d’ouverture, jetons un regard (et bavons un peu) sur le costume national Russe féminin.


The modern female national costume as worn for festivities and by dancers consists mainly of a Sarafan, or pinafore worn over a chemise, and a Kokoshnik or headdress. Since both should be looked at in depth to appreciate their beauty, I will present each in a separate post. Today, we will look at the sarafan.

Le costume national moderne feminin, celui porté par les danseuses et lors de festivals, consiste principalement en un Sarafane, ou robe chasuble, une chemise et un Kokoshnik ou coiffe. Puisque chacun mérite qu’on s’y attarde pour en apprécier réellement l’esthétique, je les présenterai chacun dans leur article respectif. Je commencerai aujourd’hui par le sarafane.


The Sarafan is a trapeze shaped long (ankle to floor length) pinafore traditionally worn, often belted, by Russian girls and women of all ages. It was first mentioned in a text of 1376, but it is believed to have been worn from as early as the 10th century. To this costumer’s eyes, it looks somewhat similar to the Viking Apron dress of that time.

Le Sarafane est une longue robe chasuble (aux chevilles ou au plancher) de forme trapézoïdale traditionnellement porté, souvent avec une ceinture, par les filles et les femmes Russes de tout âge. On le mentionne pour la première fois par écrit dans un texte de 1376, mais l'on croit qu'il était porté dès le 10e siècle. Aux yeux de cette costumière, il ressemble beaucoup à la robe-tablier Viking de la même époque.
 

This style of dress was worn by women of all social classes, with some distinctions between them of course, until the 18th century when Peter the Great modernized Russia and the middle and high class women stopped wearing the garment. In the country, it continued to be worn until the early 20th century.

Ce style de robe fut porté par les femmes de toutes les strates de la société, avec bien entendu des distinctions entre les classes, jusqu'au 18e siècle, lorsque Pierre Le Grand entreprit de moderniser la Russie et les femmes des classes moyennes et de la haute société cessèrent de le porter. En campagne, on continua de le porter jusqu'au début du 20e siècle. 


In the countryside, blue was a favourite colour for sarafans, while red ones were often associated with marriage. Though simple in construction, they could be embellished with lots of colourful embroidered designs making each beautiful, unique and special to the wearer.

En campagne, les sarafans bleu étaient plutôt courant, tandis que les rouges étaient associés au cérémonies de marriage. Quoique de construction simple, ils pouvaient être embellis avec quantité de motifs brodés multicolore, rendant chaque pièce unique et spécial pour son propriétaire.

And now for some eye candy / Et maintenant, juste pour le plaisir des yeux:





 


Next time, I will tell you of the other important piece of the Russian National costume: the headdress or Kokoshnik. Stay tuned!

La prochaine fois, je vous parlerai d'une autre pièce importante du costume national Russe: la coiffe ou Kokoshnik. Restez brancher!

Friday, September 30, 2011

Neck rings for the western woman

Flicking through a fashion magazine recently, I came upon this add for Dior's J'adore perfume with Charlize Theron:

Charlize Theron for Dior's J'adore perfume

I was instantaniously reminded of those so called "Giraffe women" in South Africa.

Ndebele Woman in Traditional Dress

Women of Ndebele people wear brass rings called idzila around their neck, legs, and arms. These rings do not put pressure on the collar bone and create an elongated neck look, contrary to popular belief and other Asian cultures. They begin wearing these when they get married, around age 12, and the rings are added on as they are given to them by their husband. The richer the husband, the more rings his wife has. The Ndebele widow will take all her rings off upon her husband's death to show her new state.

(more information here: http://www.krugerpark.co.za/africa_ndebele.html

Kayan or Padaung lady and girl Myanmar Kayah state

Upon reseaching for this post, I discovered that other cultures used neck rings, namely the Kayan or Padaung Women of Myanmar. (If I understand correctly, "Padaung" means long neck woman). In fact, they wear coiled metal rings around their wrists, knees and ankles as well. Girls begin wearing the rings as young as age 2. In the case of the Padaung, the weight of the neck rings does infact deform the collar bone, pushing it to a 45 degree angle and making the neck appear longer, but the idea that an unfaithful woman will see her rings removed as punishment so she suffocates to death is completly false; in fact, the rings can be taken off and put back on if need be, say to be examined by a doctor. In the Kayan culture, this drastic body modification through adornment is done so everyone is reminded of their ancestry to the Nagas, a mythical dragon or snake.

The Republic of the Union of Myanmar borders Thailand, and there is apparently a group of Kayan living in a border town on the Thai side of the fence (though according to one source I found, they generate most of the economic wealth of the town they are in so that now that they want to relocate, things are being made as hard as possible for them to do so). Perhaps that is why Miss Thailand Chutima Durongdej wore a neck ring inspired piece as her National Costume to the 2009 Miss Universe contest.

Miss Thailand 2009 - Chutima Durongdej


Yep! I definitly see the resemblance with Charlize's neck piece. Now being on a craft craze, how would I go about making something like that?(I mean the Dior add neck piece of course.)

Saturday, March 12, 2011

Theatre Ghosts : Ladanaz / Fantômes de Théâtre : Ladanaz

I do often miss being Costume Designer for a Theatre troup, even an amateur one. I don’t have the time to do it right now, but I still miss it. When Nancy-Raven was asked to make costumes for a High School play (our High School, Rive-Nord), I of course offered to help (make that beg her to let me work on the project with her, as her assistant). Now, because this is a French High School, I will make the posts on this play bilingual.

Je m’ennuie souvent du temps où j’étais Créatrice de Costumes pour une troupe de Théâtre, même une troupe amateure. Je n’ai pas de temps à y consacrer en ce moment, mais ça me manque tout de même souvent. Lorsque Nancy-Raven s’est vue offrir de faire les costumes pour une pièce de théâtre d’une école Secondaire (notre école secondaire, Rive-Nord), je me suis tout de suite offerte pour l’aider (ou plutôt je l’ai supplié de bien vouloir me laisser travailler avec elle sur ce projet, comme assistante). Comme il s’agit d’une école secondaire de langue Française, tous les articles en lien à cette pièce seront bilingues.(J'espère seulement ne pas trop faire de fautes, ce serait honteux.)

I do not know the title of the play yet, nor do I know the story, but from what I hear, it is about people from all eras and cultures meeting, as ghosts, and sharing memories (someone please correct me if you have any more information on this play). Because the “memories” will be projected on the actors, and the characters are ghosts, all costumes must be beige to serve a screens (white is too hard to work with for the lighting experts). Also, all costumes have to be extremely easy to put on because actors change characters during the play, and change on stage (they all wear leggings / pants and a t-shirt for modesty’s sake). It’s a concept, just go with it.

Je ne connais pas encore le titre de la pièce, ni même son histoire, mais de ce que j’en sais, elle met en scène des gens de toutes époques et toutes cultures; c’est une rencontre de fantômes qui partagent leurs souvenirs (si quelqu’un en sait plus, je vous prie de me corriger). Puisque les « mémoires » seront projetées sur les comédiens, et puisque les personnages sont des fantômes, tous les costumes doivent être beige afin de servir d’écran (le blanc étant rendant le travail des éclairagistes trop compliqué). De plus, les costumes doivent être très facile à enfiler car les comédiens change de personnage durant la pièce et se change sur scène (tous porteront un legging ou un pantalon et un gaminet, question de modestie). C’est un concept artistique.

The first costume I made is for the character of Ladanaz, a Mayan girl. Originally, the idea was to give her a short sleeved dress such as the one worn by Zia in The Mysterious Cities of Gold (1982) (Taiyō no Ko Esuteban). After doing a little research on traditional Mayan female clothing, I discovered that they wore Huipils.

Le premier costume que j’ai complète est celui du personnage de Ladanaz, une jeune Maya. À l’origine, on voulait lui faire porter une robe simple à manches courte inspirée de celle de Zia dans Les Mystérieuses Citées d’Or (1982) (Taiyō no Ko Esuteban). Après un peu de recherche sur le costume traditionnel des femmes Maya, j’ai découvert qu’elles portaient un Huipil.


A Huipil is a highly colourful, incredibly embroidered tunic or blouse, which can be short and worn with a skirt, of long. Here is the fun part: translating that rainbow into beige. With no budget.

Un Huipil est un vêtement très colorée et brodée, portée court comme blouse avec une jupe, ou long comme une tunique. Maintenant la partie amusante : appliquer le concept beige à ce vêtement arc-en-ciel. Sans budget.

Concept Sketch for Ladanaz / Illustration Concept pour Ladanaz

Nancy-Raven and the play’s Writer/Director bought poly/cotton poplin on sale to make the costumes (again, no budget) and this is what I used for the tunic. To mimic embroidery, I added a large square at front and back made from what I believe is leftover upholstery fabric my aunt gave me when I was working on costumes for my previous play. It is beige toned and thickly woven.

Nancy-Raven et l’Auteure / Metteur en scène ont acheté plusieurs mètres de popeline de poly/coton en vente, et c’est ce que j’ai utilisé pour la tunique. Afin d’imiter la broderie, j’ai ajouté au devant et au dos un large carré de tissu que je crois être un reste de tissu de recouvrement, don de ma tante à l’époque où je travaillais sur ma pièce de théâtre précédente. Il est dans les tons de beige et tissé de fils épais.


Ladanaz' "Huipil" / Le "Huipil" de Ladanaz

Please ignore the pressing, it is late and this will get washed before the play anyways.

Veuillez je vous prie ignorer le repassage; il est tard et ce costume sera lavé avant la pièce de toute façon.

Pattern wise, it is simply two rectangles with openings at the sides for the arms and slits at the bottom for ease of movement. For the neckline, I used my own pattern of Key hole, which I normally use on medieval t-tunics. It is not necessarily accurate, but accuracy is not a goal here: suggestiveness and a feel for the approximate culture and period is.

En ce qui concerne le patron, il s’agit simplement de deux rectangles avec ouvertures aux latérales pour les bras et de fentes au bord afin de permettre une plus grande facilité de mouvement. Pour le col, j’ai utilisé mon propre patron de col trou de serrure qui me sert habituellement pour mes tuniques médiévales. Ce n’est pas nécessairement une reproduction précise d’un véritable huipil, mais une reproduction exacte n’est pas le but recherché : il s’agit plutôt de suggérer la culture et l’époque de manière approximative.

So now I have one down and two more to go, all due in two weeks! Since it is St. Patrick’s week, I’m already super busy with Irish dance shows, but I promised them to Nancy-Raven and a witch is only as good as her word. Besides, I Iove making costumes!

J’ai maintenant un costume de fait sur trois de promis, le tout dû dans deux semaines! Comme c’est la semaine de la St-Patrick, je suis déjà très occupée avec différents spectacles de danse irlandaise, mais je les ai promis à Nancy-Raven et je tiendrai parole. De toute façon, j’aime faire des costumes!

Wednesday, September 29, 2010

More Kimono!

I had a Japanese relapse. It started when my friends from Alliance Impériale started talking of going as a Japanese themed group to the Halloween Festivities in La Prairie. It got worse when I got newsletters from Yamatoku mentioning a sale...

So I have to say it: Busted! I have bought myself two new pieces (from Yamatoku of course!).

First, my first Uchikake:

Vermilion Embroidered Silk Uchikake

Isn't it exquisite? I was looking at it and my Sweetheart saw it from over my shoulder. Then I showed him how nice it would look with the Kakeshita he gave me for Yule 2006 (which is really tough to match to an Uchikake, unless you want White or Pink - I've been looking for four years!):

Teal Hanayome Kakeshita & Vermilion Embroidered Silk Uchikake

... and he just said "Go ahead, buy it!". So you can see he was no help with my current relapse. But I have to say, it was only 39.99$ USD (okay, plus about 65$ USD of shipping, but the shipping price doesn't change, it is based on weight; Uchikake from Yamatoku usually start at 250$).

And since we can combine shipping and save (or so the website reminds us), I splurged for this magnificent obi:

Silk Maru Obi

My first Maru Obi*! And for 14.99$ USD! I would really like to find a Tomesode that would go well with it; I think a black Tomesode would be the perfect back drop for it, but it would also look nice with my Kakeshita.

*Maru obi is the most formal obi. It is made from cloth about 68 cm wide, is folded around a double lining and sewn together. Maru obi were at their most popular during the Taishō and Meiji periods. Their bulk and weight makes maru obi difficult to handle and nowadays they are worn mostly by Geisha, Maiko and others such. Another use for maru obi is as a part of a bride's outfit (hence me matching it to my Kakeshita). A maru obi is about 30 centimetres to 35 centimetres wide and 360 centimetres to 450 centimetres long, fully patterned and often embroidered with metal-coated yarn and foil work. (Source: Wikipedia - Obi)

So there, this is my latest Japanese shopping spree. But it isn't for Halloween; it is for my collection (and one day, my Engagement Party Outfit, when I get to that stage). Ill get back to you on the Japanese Themed Halloween costume.

Note: To see the rest of my Kimono Collection, please got to Kimono! posted on Tuesday August 18, 2009.

Saturday, April 17, 2010

Hanbok

Some people collect sports cards; others collect stamps. I collect sewing pattern, preferably costume ones (amongst many other collections I have). I have over 250! Whenever there is a sale, I can’t help but get a couple more that I don’t yet have. And yes, sometimes I buy some twice by mistake (I should sell my doubles here). My collecting made me buy this Hanbok pattern by Butterick:


Of course at the time, I had no idea what it was supposed to be; I just thought it looked nice. But you know me; I have to know everything about everything (costume related) so I went online and did a little research.

As previously stated, it is a Hanbok. “And just what is a Hanbok?” I hear you say. It is the traditional Korean costume. Just like Kimono in Japanese means garment, Hanbok literally means Korean clothes. The modern Hanbok is based on the fashion of the Joseon Dynasty which ran from 1392 to 1897, but of course, it has evolved in the last century, for practical reasons. Nowadays, the Hanbok is worn as semi-formal or formal wear for traditional festivals and celebrations.

A woman in Hanbok at Beomeosain in Busan City

The traditional women’s Hanbok consists of two pieces: the Jeogori which is the short jacket, and the Chima or wrap around skirt.

The Jeogori is made up of Gil, the bodice; Git, a band of fabric that trims the collar; Dongjeong, a removable white collar which is placed over the edge of the Git; Goreum, the ribbon tie that keeps the Jeogori closed at the front; and sleeves, which can have Kkeutdong, different colored cuffs, or not.

Here is a video showing how to properly tie the Goreum:

The Chima is made of a rectangle of cloth which is gathered into a band of fabric (which we’ll call a waistband but really sits atop the bust). The waistband itself extends to be used as ties to securely close the skirt. There are also shoulder straps attached to the waistband that keeps the skirt up and in place.

Men's Hanbok Rental by Hanbok House

The traditional men’s Hanbok also consists of the Jeogori, but it is paired with baggy pants called baji, which is also the modern term used for pants. Following the introduction of Western influences at the end of the 19th century, modern men Hanbok also often include a Jokki, which is a vest.

Korean Royal Costumes

Traditionaly, upper classes Hanbok were woven from ramie or silk, of a variety of colours, although bright colours were usually reserved for children. The colour of the Chima indicated the wearers social status; for instance, navy if she had sons. Only royalty could wear Geumbak or gold leaf printed patterns at the bottom of the Chima.

Commoners were restricted by law to wear cotton (at best), white for everyday clothes and dull shades of pale pink, light green, gray, and charcoal for special occasion.

I’m not sure when or for what occasion I might use my pattern, but it looks like a very comfortable thing to wear!

Sunday, February 21, 2010

Rio de Janeiro Carnival

Around the world, just before lent begins, there are Celebrations and Carnivals. I have mentioned Venice and New-Orleans already, but last week, with the beginning of the Vancouver 2010 Winter Olympics, I skipped over one of “the greatest show on Earth”: the Rio de Janeiro Carnival. If you like the parties of the New-Orleans Mardi Gras and the elaborate costumes of the Carnival of Venice, then you are going to love Rio!

The first Carnival was celebrated in 1723. Since then, it has never stopped growing. There is Music! There is dancing (samba)! There are street carnivals! And of course, there is a most impressive parade!

The parade features the Samba Schools, which can either be an actual school or just a collaboration of local neighbors that want to attend carnival. The Carnival has become one huge competition between Samba schools, each of which shows off its talent in parades (there are four, depending on the school’s classification or group). Now these are no ordinary parades! Each school chooses a theme or enredo (it can be anything: History of Brazil, History of Humanity, Amazonia, DNA, Visions of the future, etc.) which will be represented in their son, floats and costumes; in the Special group (the best Samba Schools), there are between six and eight elaborate floats each upon which floatees in the best costumes dance and sing and around 3000 (you read that right) participants, also in costumes, singing and dancing all the way. The important parades are held at the Sambodromo, an alley with spectator viewing areas on each side, and each school has to go through its length in 65 to 80 minutes. The following Saturday (today), the top six schools of the special group parade again. Oh, and by the way, the parades go on from 9 p.m. to 6 a.m. Now that’s what I call partying all night! (From Wikipedia - Carnaval de Rio and Rio Carnival)

Want to see those famed costumes?

Note: The following pictures come from Wikimedia Commons. In most cases, the captions were in Portuguese, which is not a language I know (though I speak French, English, some Spanish, a little German and even less Sindarin). I tried as best I could to translate them in English, but I might have made mistakes. If it is so, I apologize (and please tell me so I can correct it).

Luíza Brunet Imperatriz 2008

Luma de Oliveira

Desfile Beija Flor

Carnival in Rio de Janeiro

Carnaval in Rio - Bahianaises

Brazilian Carnival

Baianas in 2008

Arranco 2006 Group A

Alessandra Mattos

Model and TV presentater Adriane Galisteu, 2008

Acadêmicos da Abolição - ala das baianas - 2009

A Float of the Santa Cruz Samba School, Carnaval 2002

In Québec, there is a small Samba Dance troupe called “Le Carnaval de Rio” (at least that is how they were presented to us). I’m not sure if they are still around, but they were the entertainment at the Office Christmas Party back in 2008. I got to look at their costumes up close (and take pictures).

Peacock Dancer

Pink and Purple Dancer

Green and White dancer

The "Carnaval de Rio" troupe in Québec colours

Gwenyver with some of the Dancers

What? I couldn't miss this opportunity to get my picture taken surounded by fabulous costumes! I remember at the time, I was seven months pregnant and seeing them dance made me miss dancing so very much.

Although it all looks very complicated, their feathered back pieces were quite simply made. It looked like a large round cardboard upholstered with shiny material. The back side was decorated with sequins to create a design, while the feathers looked like they had been sew in the seam that held both pices of material over the cardboard. Shoulder straps were fixed to one side so the whole contraption could be worn like a back pack.

At least, that is my interpretation of what I saw. I didn't actually ask anyone how it was made.

I need an excuse to make something like that. You’ve got to love those feathered headdresses and back pieces! Wish I had the abs; I love rhythmic music and dancing!

So in conclusion, music, drums, bikinis, costumes, feathers, bright colours and dancing.

I wanna go!