2011 Metropolitan Museum Costume Institute Gala Red Carpet

Yesterday was the official opening of the The spring 2011 Costume Institute exhibition at The Metropolitan Museum of Art in New York, Alexander McQueen: Savage Beauty (May 4, 2011, to July 31, 2011). On Monday night, the Metropolitan Museum Costume Institute Gala was held for designers, models and stars alike. Thankfully for people like me and you, many stars choose to interpret the "Costume Institute Gala" as a theme for their attire of the evening. Shall we take a peek at their clothes?

(Note: The following pictures were borrowed from Socialite Life for costume study purposes.)

First, I would like to note that many a gentleman showed up in interesting fashion, enough to make it to this post.

Andre Leon Talley attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Larry Busacca)

I have rarely seen Andre Leon Talley in something subtle, and that is not about to change as he wears a court coat made just for him on this red carpet.

Designer Karl Lagerfeld and actress Blake Lively attend the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Stephen Lovekin)

Karl Lagerfeld is never boring in his choice of clothes and that night was no exception. On his arm, the beautiful Blake Lively wears a modern interpretation of a Pallas. Whatever those fashion critiques have said, I love it.

Designer Christian Louboutin and Ashley Olsen attend the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Stephen Lovekin)

Red has long been Christian Louboutin's signature colour, so it should come as no surprise that his velvet jacket matches the carpet. As for Ashley Olsen, black and white (creme) will always be a classic. I do love the wide puffy sleeves; they remind me of a chemise under stays.

Designer Marc Jacobs & Robert Duffy attend the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Stephen Lovekin)

You have to admire men who are sure enough of their masculinity to wear a kilt in public. Bravo!

European Vogue editor-at-large Hamish Bowles and artist Daphne Guinness attend the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Stephen Lovekin)

Keeping to the tartan theme, this gentleman choose to skip the kilt, but still wear its colours. Very daring. He is accompanied by a distant relative of Big Bird's. (Sometimes, too much really is just that. But I still admire her originality.)

Actress Freida Pinto attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Larry Busacca)

Not only were some of the boys interestingly dresses, some of the girls were inspired by men's fashion. Here, a Freida Pinto chooses to add a simple black tie to contrast her white satin dress.

Singer Janelle Monae attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Stephen Lovekin)

While Janelle Monae goes Dandy, Top hat and all.

Model Iman attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Larry Busacca)

Iman looks straight out of Austin Powers in Goldmember (2002). 70's Baby, yeah!

Actress Brooklyn Decker attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Stephen Lovekin)

Don't say it, don't say it... Red Carpet Barbie. Sorry, I couldn't help myself.

Actress Rosie Huntington-Whiteley attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Larry Busacca)

Wait, didn't I see this outfit on one of the "babes" in Star Trek: The Original Series?

Actress Sarah Jessica Parker attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Stephen Lovekin)

Sarah Jessica Parker's dress is beautiful, no questions there. But is it just me, of did someone get inspiration from The Mummy (1999) for the beading design? (Look up Anck Su Namun's body make up).

Actress Leighton Meester attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Stephen Lovekin)

A little black dress should always be perfect for such an occasion, but why does this one look like it is made from horizontal blinds? I Guess this is the modern version of Carol Burnett's "I saw it in a window and I just couldn't resist".

Actress Mary-Kate Olsen attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Larry Busacca)

I love Mary-Kate's 70's Boho dress, and the colour combination of dress and accessories. But maybe this was a bit too dressed down for a red carpet.

Nicole Richie attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Stephen Lovekin)

I just loved the sleeves on this one. Simple, elegant, with a little Sci Fi je-ne-sais-quoi.

Actress Dakota Fanning attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Larry Busacca)

All this dress needs is a pair of wings and you have the perfect Meadow Fairy costume!

Athlete Serena Williams attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Larry Busacca)

I think someone watched the Royal Wedding too many times last week-end! (One word: Hats)

Actress Demi Moore attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Larry Busacca)

I think someone else watched the Royal Wedding too many times. (One word: Feather Duster hair fascinators.)

Singer Fergie attend the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Larry Busacca)

Really people, enough with the Royal Wedding already! (Kidding, I love that dress).

Actress Christina Ricci attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Larry Busacca)

I read someone calling this dress "The Spider Queen". It is either that, or a penciled doodle dress. In either case, as original as it is, I find it to be very unflattering for Christina Ricci. It make her skin tone look grey.

Unless this is NOT Christina Ricci, and this is in fact Wednesday Addams, all grown up. That would explain it.

Madonna attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Stephen Lovekin)

Madonna has always looked amazing in 1930's and 40's fashion. Remember Evita (1996)?

Rihanna attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Stephen Lovekin)

Gorgeous lace, love the one arm and train, AND the red hair (truly wish I had the gut to dye my hair red - I've been thinking about it on and off since I was 13), but what really sold me on this look were the earrings:

Rihanna attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Stephen Lovekin)

They look so Steampunk!

Jennifer Lopez attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Stephen Lovekin)

Whatever those mean fashion commentators have said, I love the flower shrug J Lo is sporting.

Singer Beyonce attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Larry Busacca)

This is my number one dress of the evening. It is The Tudors meet Modern evening wear (Mermaid dress). Just look at the gold on black embroidery!

Singer Beyonce attends the "Alexander McQueen: Savage Beauty" Costume Institute Gala at The Metropolitan Museum of Art on May 2, 2011 in New York City. (Photo by Larry Busacca)

Oh, and the back! It is like a sleeveless doublet. Really, I can't get over how amazing that dress looks.

I am starting to think I need an excuse to wear evening/party dresses like that. Any suggestions?

Royal Wedding Fashion

So unless you live in a cave, you will have heard, there was a royal wedding today. Really! Prince William and his Fiancee Catherine "Kate" Middleton said I do in front of 1 billion spectators. I tried not to follow the masses, I really did. But I'm a girl, I love Fairy Tales and I LOVE weddings.

A Royal Wedding Group Portrait

With all the crazy fashion there, you know I was bound to make a comment. Someone's worst dress list is a costumer's inspiration.

So first, let me talk about the Queen of the day.

Katherine Middleton, Mother of the Bride - Queen Elizabeth II, Grandmother of the groom - Camilla, Duchess of Cornwall, Stepmother of the groom

No, I did not mean THE Queen, although one has to notice the lovely shade of butter yellow she choose, and admire her hat which is quite elegant (contrary to past habits).

To also comment on this picture, I love what the mother of the ride wore, but I hate the Duchess of Cornwall's hat.

But back to the day's Star: Catherine "Kate" Middleton.

Catherine "Kate" Middleton

No one can deny how lovely she looked in this Alexander McQueen creation. It's not really my style, what with the long sleeves and all that lace, but I can understand the need for sobriety and the difficulty in finding a dress that will please everyone.

My first thought as I watched her get out of the car was "This looks like Grace Kelly's wedding dress!"

Grace Kelly, Princess of Monaco, April 1956

Oh, and just a quick note in case my Sweetheart is reading, I love Kate's sapphire engagement ring. Just saying.

Diana / Kate's engagement ring

Everyone of course noticed the sister of the bride and her Maid of honour, Philippa "Pippa" Middleton, looking sexy in Alexander McQueen.

Philippa "Pippa" Middleton

One guest's dress also caught my eye: the one worn by Princess Lalla Salma of Morocco.

Princess Lalla Salma of Morocco

I have read critiques concerning this outfit because her dress had a train, but I love it all the same. It looks somewhat like a caftan, but it is extremely elegant.

What any British Royal event really is about, fashion wise anyways, it the hats.

The daughters of Earl Spencer

It seams to be a part of the dress code to have some crazy looking, gravity defying 'thing' on your head.

Princess Anne

I had a dress in these colours as a child... in the early 90's! Beauty is in the eye of the beholder, but I am not loving this outfit.

Sophie Winkleman, Actress and wife of Lord Frederick Windsor

This hat I love. It is asymmetrical, yet sober. Can anyone explain to me how it stays in place?

Miriam Clegg, wife of deputy prime minister Nick Clegg

I am not quite sure about the turban hat, but I do love the humongous red flower fascinator!

Princess Mathilde and Prince Philippe of Belgium

TURQUOISE! (You knew we would eventually get there.)

Zara Phillips and Mike Tindall

Another gravity defying hat.

Chelsea Davy

Prince Harry's girlfriend wore a lovely suit, albeit perhaps too tight, and it is nice to see another type of headwear and the wedding.

Victoria Beckham a.k.a. Posh Spice

I realize my favourite Ex-Spice Girl is pregnant, but did she have to wear a tent? One the one side, I find it too similar to one of my night gowns, but on the other, I think it may be growing on me. Lovely draping effect, longer in the back, definitely perfect to hide the midriff. The colour and hat are truly nice, but again, pardon my ignorance, but I do wonder how this hat holds in place.

Tara Palmer-Tomkinson

Okay, she looks straight out of a Star Trek episode.

Princess Eugenie and Princess Beatrice

We have slowly culminated to the craziest of the hats: Princess Eugenie's, and especially Princess Beatrice's. Some people have said that Princess Beatrice's hat looked like an octopus. One thing is for sure, it has made the news. From what I read, both had very little say in their hats. Designer Philip Treacy just knows them enough to know what they like (which can be a scary though).

Ultimately, the crazier the look, the more I love it! And now I feel like wearing silly hats and fascinators too.

Duke and Duchess of Cambridge

I wish the newlyweds a happy long and truly happy life together.

A Costumeholic's Best friend: the Space Bag

It is Spring Cleaning time! I am lucky enough to have a walk-in in my bedroom, which I share with my Sweetheart. 1/4 of it is his clothes, 1/3 is my clothes, and the rest is costumes (he has a few too!). What can I say, I am a costumeholic! And like many costumers, when it comes to my passion, I am a bit of a pack rat.

That is why I am thrilled to have found an invention which helps enable my costume hoarding by creating more space to store them: The Space Bag (or imitations of the original - I am cheap and not that picky). I am not trying to make any sort of publicity for them, but see by yourself ow wonderfully useful they are.

Take four 18th century outfits:

Gwenyver's entire 18th century wardrobe - for now

Now pile them up neatly, pocket hoops and all.

Put your pile of 18th century clothes in a space bag.

And vacuum to get all the air out and make your pile much smaller.

Not only are your costumes safe from the cat, as well as potential water damage or clothing moth attacks, but you also have more space to store more costumes! Now I ask you is that one of the best inventions or what! Excuse me while I go tackle the Medieval costumes in the same way.

Theatre Ghost: President John Tyler / Fantômes de Théâtre: Président John Tyler

I have finally finished the third of the play costumes for Nancy-Raven. I worked on it all of last week and added the last touches yesterday. Now all of the costumes are in the hands of the director and I can’t wait to see what it ends up looking like on the day of premiere (and last), on April 9.

J’ai enfin terminé le troisième des costumes pour la pièce de théâtre dont Nancy-Raven est la costumière. J’y ai travaillé tout le long de la semaine dernière et j’y ai ajouté les derniers détails hier. Tous les costumes sont maintenant entre les mains de l'auteure / metteur en scène et j’ai bien hâte de voir le résultat le soir de la première (et dernière), le 9 avril prochain.

My last assigned costume was President John Tyler. To be honest, I had never heard of that United States President before, but then again, I’m Quebecois, so I learned about Canadian and Quebec Prime Ministers in high school, not our southern neighbour’s head of state. I also have no idea why he is a character in the play as I do not know the story yet. I’ll let you know after I see it.

Le dernier costume que l’on m’a assigné est celui du Président John Tyler. Pour être honnête, je n’avais jamais entendu parler de ce Président États-Uniens auparavant, mais bien entendu, je suis Québécoise, alors on m’a appris les noms des Premiers Ministres Québécois et Canadiens dans mes cours d’histoire au secondaire, pas ceux des chefs d’état de nos voisins du sud. Je n’ai aussi aucune idée sur la raison pour laquelle il a été inclus dans les personnages de cette pièce puisque je n’en connais pas encore l’histoire. Je vous le laisserai savoir après l’avoir vu.

The Inspiration for his costume was this portrait of President Tyler.

L’inspiration pour ce costume fut ce portrait du Président Tyler.

President John Tyler, Reproduction of a photographic print, between ca. 1860 and 1865, printed later / Président John Tyler, Reproduction d'une photographie imprimée, entre 1860 et 1865, imprimée plus tard

My job was to make it in beige, with front Velcro closure for easy costume changes and with as little layers as possible, considering the rapidity of said costume changes. I was asked to make it in two layers because the character apparently takes off his jacket during a scene.

Mon travail impliquait de faire un ensemble semblable, en beige, avec fermeture de Velcro pour faciliter les changements de costumes, et avec le moins d’épaisseur de vêtements possible dû à la rapidité des dit changements. On m’a demandé le faire en deux épaisseurs car le personnage enlève apparement son veston pendant une scène.

Vest and Shirt combo / Combinaison Veste et chemise

The first layer consists of a short vest with attached collar and sleeves to mimic the shirt he should be wearing under the vest. The jacquard for the vest came from an old skirt that the director bought from a second hand clothes sale (church basement), while the cotton for the shirt was bought by Nancy-Raven in the bargain section of our favourite Fabricville. I used pattern Simplicity 8910 for the vest and Butterick 4486 for the shirt collar and sleeves. The fake front shirt piece I drew myself. It closes with five squares of Velcro.

Le premier vêtement consiste en une veste courte avec des manches et un col attaché pour simuler la chemise qui devrait être portée dessous. Le jaquard de la veste provient d’une jupe trouvée par l'auteure / metteur en scène dans une vente de vêtement de seconde main (sous-sol d’église), tandis que la cottonade de la chemise a été acheté chez Fabricville, dans la section des ventes. J’ai utilisée le patron Simplicity 8910 pour la veste et Butterick 4486 pour le col et les manches de la chemise. Le faux devant de chemise je dessinai moi-même. Le tout se ferme au devan grace à cinq carrés de Velcro.

Bow worn with shirt-vest / Boucle portée avec la veste-chemise

It was specified to me how very important it was that the costume of President Tyler include a cravat or bow tie of some sort. Out of an old satin peasant shirt, found once again in a second hand clothes sale, I cut strips of fabric to make a band that wraps around the actor’s neck, the bow and the knot. The band closes at the front with a strip of Velcro and the bow was hand sewn to the band, on top of the Velcro’s seam.

On m’a spécifié à quel point il était important que le costume du President Tyler inclus une cravate ou un nœud quelconque au cou. Dans une vieille chemise paysane de satin, encore une fois trouvée dans une vente de vêtement de seconde main, j’ai découpé des rectagles de tissus pour faire la bande s’attachant autour du cou, la boucle et le nœud. La bande s’attache au devant avec un carré de Velcro et le nœud est cousu à la main dur la bande, au dessus de Velcro.

Tailcoat / Veston Queue de Pie

I realized when taking this picture that the vest was too long. I fixed before giving it to Nancy-Raven, but I was too lazy to take new pictures. That's what happens when you sew until 2:30 AM to catch a deadline and your toddler wakes you up at 6:30 AM. So don't you worry, both the vest and the jacket are flush.

J'ai réalisé en prenant cette photo que la veste était trop longue. Je l'ai raccourcie avant de la remettre à Nancy-Raven, mais j'ai été trop paresseuse pour reprendre de nouvelles photos. C'est ce qui arrive quand on se couche à 2:30 pour terminer un projet à temps, et que votre fillette vous réveille à 6:30. Je vous rassure, le veston et la veste ont maintenant la même longueur au devant.

On top of this is the tailcoat. I used pattern Butterick 3648, but had to reduce the size considerably as the actor is Small and my pattern was a Large/Extra-Large. I just hope it fits him well since I couldn’t meet him and make any adjustments. The fabric is upholstery jacquard from Fabricville’s bargain section. It was very nice to work with! It is once again closed with Velcro. I wish I could have added decorative buttons, but it was not in the budget.

Un veston à queue de pie est porté par-dessus. J’ai utilisé le patron Butterick 3648, mais il m’a fallu le réduire considérablement puisque le comédien porte la taille Petit et que mon patron est un Large/Extra-Large . J’espère seulement qu’il lui ira puisque je n’ai pu le rencontrer et l’ajuster sur lui. Le tissu est un jaqcard de recouvrement trouvé dans la section des ventes de Fabricville. C’est un tissu avec lequel il fut très agréable travailler! Ce veston s’attache encore une fois avec du Velcro. J’aurais aimé ajouter des boutons décoratifs, mais il n’y avait pas de place dans le budget pour les fioritures.

From what I heard, this will be worn with grey pants, over a white t-shirt. With luck, I can get pictures on the day of the play, but with all the costume changes, I don’t know if it will be possible. We’ll see!

D’après ce que l’on m’a dit, cet ensemble sera porté avec un pantalon gris, par-dessus un gaminet blanc. Avec un peu de chance, je pourrai en prendre des photos le jour de la pièce, mais avec tous les changements de costumes prévus, je ne sais pas si cela sera possible. On verra!

This concludes my involvement in making the costumes for this play (can you believe I don’t even know the title?). For more of this project’s costumes, please visit Nancy-Raven’s Blog. And now, on to the next project. Lets see, what should I attack next… (Other than spring cleaning of my sewing room.)

Ceci conlu ma participation à la fabrication des costumes de cette pièce (pouvez-vous croire que je n’en connais toujours pas le titre?). Pour plus de costumes de ce projet, visitez le blogue de Nancy-Raven. Et maintenant, passons au prochain projet. Voyons voir, que pourrais-je attaquer ensuite… (À part le ménage de mon atelier.)

Everybody Dance Now

Last night was my dance school’s annual recital. It went great, we had a lot of fun and I got to wear three costumes overall.

My School Dress:

Gwenyver in her School dress at the 2010 ECRO, November 2010

My Solo Dress:

Gwenyver in her "Water" Solo dress (being pursued by a tired baby) at the 2010 Ville-Marie Feis, May 2010

And for our finale, we had a surprise planned for the audience: and 80’s/90's number to the song Gonna Make You Sweat (Everybody Dance Now) by C & C Music Factory. Which of course meant an 80’s/90's inspired dance costume! (I mixed influences from both "eras" to make this outfit.)I decided to go for an aerobics look, without going for anything too skin tight. Here are the pieces I have found to make my outfit.

"Pure" by Alfred Sung Pink Square Shirt

This is the main piece: the loose t-shirt. It is a lovely shade of bright pink, and the neckline, shoulders and sleeves are trimmed with braided self fabric. I seem to remember my mom had something with similar braiding back then. This is an Alfred Sung “Pure” T-shirt from Zellers, on sale.

Athletic Works lime green sports tank top

I would have liked to have a leotard to go under my t-shirt, but since getting one in my size would have been ridiculously expensive (Discount Dance Supply’s shipping charges to Canada generally doubles the cost of the order), I instead found a lime green sports tank top that looks perfect when peaking from under the pink t-shirt. This is an Athletic Works sports tank top from Wal-Mart, also on sale.

Black Leggings

I wore black leggings which I already own as a bottom.

Neon Green Leg Warmers

Nothing says 80’s Aerobics Fashion like leg warmers. I found these at Ardène in the 3 for 10$ section They are a different shade of green than the tank top, but this is a St. Patrick’s show after all!

Neon Yellow Fingerless gloves

When you look at photos of Madonna in the 80’s, she was often wearing fingerless gloves. The fashion was also picked up by many at the time. I got these neon yellow gloves at Ardène, also in the 3 for 10$ section.

Rainbow Bright inspired Earrings

These rainbow coloured earrings are also from Ardène, but they were bought three years ago. I saw them in magazine and loved instantly.

Neon Yellow and Black Scrunchie

I wore my hair in a high side ponytail and got a neon yellow scrunchie at the Dollar store to cover my elastic (and match the gloves). Nothing says 90's like a good old scrunchie!

Sansha Unisex "Hi-Step" Dance Sneaker

For shoes, I wore my dance sneakers. These are incredibly comfortable and worth every penny. I even wear them to work sometimes!

Want to see the result? (I am the second from the left).

YAID Senior Class, Finale, 2011 Annual Recital

Yep, we looked cool! I think I’ll wear that outfit to dance practice from now on. So comfortable!

Theatre Ghosts : Heraclia / Fantômes de Théâtre : Héraclia

I have finished another costume for the Ghost’s play. This second costume in as many hours is for the character of Heraclia, an Ancient Greek woman. When considering what to make her, I did think of a peplos, but because of the t-shirt all actors will be wearing under their costumes, I went for a chiton instead.

J’ai terminé un autre costume pour la pièce des Fantômes. Ce second costume en autant d'heures est pour le personnage d’Héraclia, une femme de la Grèce Antique. Lorsque j’hésitais encore sur le modèle à lui confectionner, j’ai considéré le Peplos, mais en prenant en compte la réalité du gaminet porté par tous les acteurs sous leur costume, j’ai plutôt opté pour le chiton.

Peplos VS Chiton

Besides, when Nancy-Raven assigned me this costume, she was thinking of my Circe costume, worn to her Halloween party in 2009.

De toute façon, lorsque Nancy-Raven m’a assigné la réalisation de ce costume, elle pensait à mon costume de Circé, porté pour sa fête d’Halloween en 2009.

Gwenyver as Circé, Halloween 2009 / Gwenyver en tant que Circé, Halloween 2009

I made this chiton the same way I hade made mine: I cut two rectangles the width of the fabric by the desired length for the actress, closed the sides up to 20 cm below the top, to leave an opening for the hands to come out, and tacked the top in eight places, four above each arm from wrist to neckline, to imitate the effect achieved in period with fibula (brooches). The fabric is the same poly/cotton poplin used for Ladanaz’ tunic.

J’ai fais ce Chiton de la même manière employée pour le mien : j’ai coupé deux rectangles de la pleine largeur du tissu par la longueur de l’épaule au sol de la comédienne, puis j’ai refermé les cotés jusqu’à 20 cm du haut afin de laisser une ouverture pour passer les mains et avant d’assembler le haut en huit points, quatre au dessus de chaque bras, du poignet à l’encolure, afin d’imiter l’allure d’un chiton historique fermée par des fibules (broches). Le tissu est le même que celui utilisé pour la tunique de Ladanaz, soit de la popeline de poly/coton.

Heraclia's Chiton / Le Chiton d'Héraclia

For the Palla or shawl, Nancy-Raven gave a piece of dark flesh coloured veiling. I simply finished the raw ends with my overlock and I pulled them through a small metal buckle. The length can be adjusted to the actress’ desire and she can easily pull it over her head for a quick change.

Pour le Palla ou châle, Nancy-Raven m’a remis un morceau de voilage couleur chair foncée. J’ai simplement passé les extrémités non-finies à la surjeteuse, puis j’ai inséré chacune des extrémités dans une boucle de métal. Ainsi, la longueur peut facilement être ajustée selon les désirs de la comédienne et elle peut facilement enfiler son Palla pour un changement rapide.

Heraclia's Chiton and Palla / Le Chiton et le Palla d'Héraclia

I actually like it! Sure it’s beige, but still, I really think it has the right feel to it. Now let’s see what Heraclia thinks about her new outfit.

Je crois que j’aime bien ce costume. Bien sûr, il est beige, mais malgré tout, je trouve qu’il représente bien la culture et l’époque du personnage. Maintenant attendons de voir ce qu’Héraclia pense de son nouvel ensemble.